It’s 2024 and “TAYLOR SWIFT IS A SATANIST”?!

An industrial psychologist and self-appointed life coach, Madeleine Pretorius (48), has accused Swift of including “satanic symbolism in her songs and music videos, as well as during her worldwide Eras tour” in a Facebook video, which has been viewed over 5000 times. Pretorius’ accusations are nothing more than what was initially hurled at Fokofpolisiekar, ACDC, Metallica, and other popular culture and media, in the 80s to early 90s. Moral panics of such a nature are generally proven by experts, to have little (if any) rational basis!

Conspiracy theories and moral panics have no place in news reports or Psychology practices and frameworks in South Africa, as they are harmful and unprofessional. Qualified Industrial Psychologists, like Pretorius, aught NOT be endorsing irrational Satanic panic conspiracies.

Dis 2024 en “TAYLOR SWIFT IS ‘DUIWELS’…”!?

Suid-Afrika is weer vasgevang in ‘n morele (Sataniese) paniek. Die soort paniek wat ons in die laat 80’s laas gesien het, toe Rodney Seale, John Gardiner, Kobus Jonker, en hul trawante nog hul rondtes by skole gedoen het om kinders by ACSV bang te praat met boeke en pamflette, teen “die gevaar van rock musiek en Satanisme”. Mens sou dus dink, dat in 2024, ‘n samelewing sou bestaan wat al weggedoen het met dié uitgedateerde persepsies oor populêre kultuur, musiek, en kunstenaars, wat die Afrikaanse jeug wil besoedel met subtiele aanhitsing tot seks, dwelms, geweld, en goddeloosheid in hul lirieke -en konserte. Toe nie. Die naweek, bykans net ná Paasfees, is Suid-Afrika (weereens) in rep-en-roer oor ‘n kunstenaar se kwansuise “duiwelaanbiddery” en “heksery”, tydens konserte -en musiekvideos.

Hierdie keer is dit Taylor Swift, van alle kunstenaars, wat skielik nou persona non grata is. Die Afrikaner-Christen-publiek se hoof opponent, wat binnekort Suid-Afrika toe kom vir ‘n ekonomies belowende konsert, tydens haar Eras-wêreldtoer! So, waar het Swift dan so verkeerd geloop?